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using shotgun mic for interviews

29. november, 2020

Mai Ajánlat

0

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These mics sound their best at no more the 3.5 to 4' with an ideal height of 2 to 3' above the sound source, and are great for interview applications. Indoors, you can use a good quality cardioid or hyper- just out of shot for general coverage. At best, they are good for reference audio or providing some background NAT (natural sounds) as it will pick up noise from an entire set, with your interview subject sounding very distant. Personally I prefer the 416 for general convenience and sound quality, and it’s gentle to things slightly off-mic, but it’s too expensive for amateur filmmakers, especially with the full Rycote kit it needs out of doors. For a typical interview the overhead mic might be a foot away to stay out of the shot, but the actual mic could be two feet away if it’s a long shotgun. To completely digress, my wife’s birthday was coming up (no I wasn’t going to give her a shotgun microphone for her birthday), however, she made it clear that this year she did not want us to buy her anything as we are trying to save money (possibly because I recently purchased a super nice shotgun microphone). ), I did have some successes with special 4-wire mic cables: four wires plus shield, with the wires tightly encased so they maintain constant spacing end-to-end. A newer, perhaps cheaper option for some, is to use smartphones. Seriously, a pole mounted mic overhead just out of shot will get excellent sound, with two caveats: it needs to be good quality, so the polar pattern is fairly independent of frequency. However we commonly still use lavalier microphones for video interviews recorded in the field. Since most shotgun microphones are designed to pick up the human voice, frequency range will likely only be a concern when shopping for a mic to fit a particular use case. You want the speech, not the accompaniment. Just about every video camera has some kind of microphone built into it, but I would never rely on it for an interview. Tips from a former lifetime as a sound guy: for wireless microphones, use Duracell batteries, period. Just out of frame. If you don’t mind syncing up your audio in the edit, using a “second system sound” is an easy, albeit sometimes risky, way to record your audio. No doubt I will be using the Rode NTG-3 microphone for future video oral history interviews and definitely experimenting with it for standard audio interviews as well. For my video interviews I have always preferred lapel microphones for capturing the audio. The Biggest Product Announcements at CES and Their Availability for Rental, https://www.youtube.com/watch?v=vhKDllbKrL8, http://www.bhphotovideo.com/c/product/1136079-REG/sennheiser_clip_mic_clip_mic_digital.html, The Lensrentals Podcast Episode #33 – How to Buy a Used Lens, First Impressions with the Oculus Quest 2, Understanding the Differences in Video Camera Battery Systems, The Lensrentals Podcast Episode #32 – How NASA Photographers Capture History, The Lensrentals Podcast Episode #31 – Gear Horror Stories. Their spacing causes interference to (usually) cancel out. They are easy to set up, and will capture very usable audio when placed about six to eight inches from the talent’s mouth. That way the diaphraghm is protected by the mic casing, and it tends to eliminate the problem. It’s obviously quicker than fitting radio mics in a fast moving situation, but it’s also a ‘get out of jail free’ card for those annoying off-mic head turns. First, let your subject know if they need to run the mic up their shirt or not, and be professional about it. Counter-intuitively, you really don’t want to get too close. Indoors instead of a shotgun, I use a U873R Hyper Cardioid Condenser from Audio-Technica. If the usual tricks don’t work (make sure audio and power cross at right angles, space out the cables somehow, etc. I then use my apple watch the wirelessly monitor and control audio levels. It\’s called AirLinc – we\’d love to know what you think!Luke. The backup audio source for this interview is a lavalier mic. Two opposing wires are soldered together at each end to carry one pin of signal; the other two opposing wires are soldered together at each end to carry the other pin of signal. lleroed, Denmark (May 27, 2020)—Taking aim at audio and visual journalists who have to conduct socially distanced interviews, DPA is pulling out its new shotgun microphone.The DPA 4097 CORE micro shotgun microphone is intended for picking up speech at a distance, and has also been made a part of the company’s new 4097 CORE Interview …

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