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how to set up parallel compression

29. november, 2020

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If number 2 is more your speed, check out Hack #2. For example, for the drums, you may want to send all kicks, snares, and toms to an aux track with a Distressor absolutely crushing the signal. This site uses Akismet to reduce spam. Bring the aux channel back in. In other words, aux tracks play an exact copy of other channels in your DAW. Now you’ll be getting an exact replica of your mix minus the drum kit. Thanks so much! The options are limitless and provide a greater degree of flexibility when mixing. Turn up the send’s volume and you should have two different tracks playing the same sound! Next, go to the audio track you’re trying to duplicate. I am gonna apply it in my next mixing project. Create a pre-fader send on your source track to route to the compressor on the aux. You may have heard of mixing engineers talk about using parallel processing, and for good reason…it rocks! The higher the number, the of the compressed version is being mixed in. You’ll also want to make sure your send is set to “pre-fader.” This means the aux channel’s volume isn’t affected by any changes you make to the original channel’s fader. It … Thanks so much for sharing, really detailed and extremely helpful. This article added some great refining suggestions. In this complete guide, I’m going to teach 9 para. Give thanks for the info Rob. : As low as possible in most cases, with the compressor releasing towards the end of sustained notes. The downside of serial compression is that an over-compressed sound can quickly loose ‘feeling’ due to lack of dynamics, loss of transients and the color the compression adds may be overpowering, causing pumping and other artifacts that aren’t pleasing. Just turn the knob up a little bit until it’s sounding the way you want. It works great to have the crushed bus muted or very low during the verses, and bringing them in for extra power in the choruses. Natural, subtle control that brings the vocals further forward. Hope it goes well! So thanks for posting this, I’m more of an image maker but this kind of technique makes a lot of sense to me. No problem, thanks Bill! Try boosting the top end with a high shelf, boosting the upper mids or adding heavy saturation (the Softube Saturation Knob is a great free saturation plugin). Here’s the thing… It’s only playing for a limited time – we’re always updating the site and this could get removed soon. This’ll make sure the low frequencies aren’t being compressed, which’ll keep your mix from pumping. Something below 2 ms. Want your mixes to sound full and more controlled? Add a loudness meter to your master bus. You’re aiming for 5-15 dB’s of gain reduction. Slap a compressor on it, right? What if I told you that you can make radio-ready music at home, even if you’re new to mixing? If it’s louder than it used to be, turn it back down. Check your loudness meter and make a note of the instrument’s volume. If you want to add excitement and aggression, experiment with adding EQ or saturation to the parallel channel. Remember, you might just be making the track louder. Parallel compression works a little differently. There are other ways to apply parallel processing beside compression, which I touched on in this article. Simply the mixing of the dry (uncompressed) signal with the wet (compressed) sound. Indie or pro, sound your best, sound inspired. Parallel compression’s a great way to keep a sound natural while putting it “in the pocket.”.   15 Best Amp Simulators of 2020 (Most Realistic Amp Sims), How to Mix Vocals: The Definitive Guide [15 Steps], Vocal Compression: Learn How to Mix Like the Pros, Gain Staging: 9 Tips to Supercharge Your Mix, The Best Vocal Plugins of 2020 (No Matter Your Budget), How to Use EQ: 10 Amazing Tips for a Professional Mix, How to Use a Compressor: The Easy to Follow Guide, How To EQ Vocals: 5 Steps to Professional Vocals, Home Recording Studio Setup [8 Essentials You REALLY Need], The 3 Types of Microphones You NEED to Know. Your the man. Since the original signal is still intact, the transients and natural dynamics remain while the compressed signal can bring out sustain, attitude, and details due its condensed dynamic range and the compressor’s harmonic content. UPDATE: We released a great video showing some parallel drum compression tricks: You can even use parallel compression on your entire mix. If you aren’t careful, compression can make your instruments sound over-processed and flat. Great work Rob and I may just need to bookmark this page for brushing up! Before we begin, let me say parallel compression is NOT simply a wet/dry knob. Parallel compression can throw your mix into chaos by making the compressed instrument louder. Learn how to use your time more efficiently in this free training video. Save my name, email, and website in this browser for the next time I comment. As you dial in your threshold, watch your compressor’s meter for something in that range. If you aren’t sure how aux tracks work, google your DAW’s name followed by “create aux track.” That should help you find what you need! Compression is the foundation of a steady, professional sounding mix. Add a send. As always a detailed explanation with lots of helpful assets and link to other techniques. This is probably the most useful way to utilize parallel compression — and unsurprisingly the one I hear about the least. Method 1: Set up an auxiliary send in your DAW as a separate bus and send varying amounts from different tracks to this bus to be compressed. Best DAW 2020: Which Digital Audio Workstation Works Best For You? These guidelines for setting mix bus compression should come in handy: This time, a higher threshold might sound more musical. In that way, the source's dynamic range is fully contained within the true upwards compression region of …

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