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aston spirit vs origin

29. november, 2020

Mai Ajánlat

0

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The drums and acoustic guitar tests showed this “vintage feel” more than the vocal recordings; cymbals were smooth and toms had that slightly spongy feel that is reminiscent of certain 60s and 70s classic records. However, it wasn’t an unpleasant effect, and would help blend the track into a relatively sparse mix, with the presence boost avoiding it getting lost. The Aston mics’ three-layer grille design. This is actually an asset for any type of popular music recording, but it would show up on orchestral recordings if you weren’t looking to add any artificial reverberation later on. This makes the Spirit a forgiving and lush-sounding microphone; everything is wrapped in a nice “haze” that makes everything sound rather vintage, in a good way. The Spirit and Neumann U87 ai side by side. The Aston Spirit expands on the Origin in a number of ways. How acoustically transparent this headbasket is, we’re not exactly sure; the relatively simple grilles of some of the best-known mics like the AKG C414 and Neumann U47 cause acoustical reflections that show up as peaks and dips in the frequency response around the critical 6–12 kHz area depending on the angle of the incoming sound (too narrow to be visible on the smoothed-out frequency chart usually provided by manufacturers), and the more convoluted design on the Aston mics must certainly affect the sound in a similar way. Buy your Aston Origin from Studiospares: https://goo.gl/Vv8ZBF. Opt out through the unsubscribe link in any marketing email. The whole thing seems to be fully recyclable – a very commendable goal – and even though the included handbook is beautifully designed, the overarching impression is of a no-frills utilitarian product rather than a premium one. The mic being bigger and heavier, it caused us a bit of trouble positioning it horizontally, and I can definitely see it causing cheaper boom stands to droop. The Spirit is more coloured, but also more versatile, and would be one of my main choices for anyone who looking for silky retro warmth without sacrificing ease of use and treble extension. It is almost an expectation nowadays for any studio mic to be surrounded by an ominous spider-like mounting system, but these were actually rare until rather recently; look up any recording picture right up until the eighties and you’ll see the mic mounted directly on a stand more often than not. Due to its tonality, the Origin required quite a different positioning to the KSM137 – in the end it ended up a bit closer to the sound hole (about the 16th fret), angled slightly towards the bridge. It really is a stroke of genius for Aston designers to have used lowly knitted wire mesh as a diffusor – truly one of those “why didn’t I think of it before?” moments. Aston Origin, Spirit, and Starlight Microphones. It which might be the tradeoff for the added “mojo” on this model, but it’s one that I’d be very happy to make in most situations. Although it’s seen as a requirement nowadays, a shock mount is absent on many iconic recordings, The shock mount inside the Aston mics is quite basic, but a definite improvement over most studio models, and unless you’re recording a tap dancer, you should be fine just using the mic without an external cradle. The other improvement, which sounds obvious but is a rare feature in studio mics, is internal shock mounting. It did get slightly sibilant on some parts, but unlike on so many mics, it was a matter of seconds to deal with it with a quick EQ cut. Receive updates & special offers from Modern Drummer and our advertising partners. Like the Origin, the Spirit is designed, built and tested here in the UK, and combines selected third-party capsules with very high-quality electronics. The Spirit sounded full and musical as a room mic in omni mode, There is, it must be said, a very low-level midrange grain to the sound on anything we tried the Spirit on, no matter the volume, and upon close listen it can be noticeable on exposed, dry tracks. Although the microphone is certainly not designed as a handheld (and looked rather funny as one!) 15/06/2016. I suggest you do the same with any microphone when testing it – you might be surprised. All Rights Reserved. Removing the grille shows the capsule and top of the body on the Spirit. Then again, the scattering of reflections should definitely smooth out at least some of those resonances. The clear, present Origin is the perfect home studio vocal mic, since it can be used close up to cut down on room ambience and without much thought and still get fantastic results, helping the performance and the mix. In comparison, the U87 sounded more “real”, with a bit more depth and detail, but not necessarily subjectively nicer. It wouldn’t be my first choice for a guitar mic, but then again, neither would many large-diaphragm condensers. They all sounded just as professional, just with very distinct “flavours”. The packaging is utilitarian, but it’s recyclable, and you get a badge! the proximity effect mostly counteracted the presence of the microphone, giving a clear, yet full sound.

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